What is inherent in technical productions is their mechanical perception of the “end” in the sense Heidegger uses the word, meaning the fulfillment, the completion. Any strategy that has its origin in the realm of the technical (which rather means all of them) has to focus on a goal, an aim and a targeted fulfillment which is always singular. This technical end always refers to only one particular think or set of things selecting always a specific resolution of analysis, which is usually defined by the method, the tools and the particular definition of the context which is different every time. It is this idea of focusing to the particular (usually in only one spatiotemporal variable) and defining a specific resolution that makes technical productions to fail to be holistic and encompass the associations of particular but not individual or independent ends with the totality which is full of relations and relations among relations. Read More

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A continuous horizon, no alterations in height, just a straight line and what emerges from the ground is either trees or cityscapes. The only scars on the soil are the canals; also linear most of the times they constitute a huge drainage network that reflects the constant and amazingly fast alterations of the lively sky. The landscape itself is also lively, has also been subjected to tremendous changes and is still altering in such a way that becomes the archive of its own history. It is not a mere a container of history. No matter how much formable or deformable a container can be it is always detached from what it carries but here landscape and history are one, embedded to each other, the one exists as the result of the other and they are not preconditions to built upon them, they are built conditions that participate actively and formatively. What is the dominant as a formative condition is the artificial flatness with its great benefits for the functionality, efficiency, production and the exploitability of usable ground by maximizing the land area. Read More

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Similarly to the words, forms have no meaning, they just convey meanings. Forms are the tokens for recalling an always deformed memory, they act like representations where meanings rather emerge from the sets of relations between the elements within the systems that constitute the forms or between the elements or the form and its context than from the elements or the forms themselves and they always leave space for multiple interpretations by the subjects that interact with them.

This is what probably Derrida means when he says that “Meaning is not a presence but a generalized economy of absences”. Perception is the result of a both projective and retrospective process, we project everything we know, think, have seen, heard or read to the reality and we receive back as a result of a reflection a subjectively seen image, not by perceiving straightforward what something is but rather what this something is not. This process is not exclusively or necessarily visual and is not momentary. In that sense perception and therefore perceived meanings have origins therefore are never detached from the processes of social construction.  Read More